I find it very refreshing to learn that the buyer didn't purchase the violin to lock it away in a vault, never to be seen again, but made it available for its intended purpose, to be played as is was meant to be.Vieuxtemps Guarneri Violin (c. 1741) sold for $16 million in 2014!
This morning while browsing FB, I went to a LINK HERE about expensive instruments sold at auction or private sales - the mixture was quite eclectic, so take a look at the link, if interested. The most expensive on the list shown/described below, i.e. the Vieuxtemps Guarneri Violin - Henri Vieuxtemps (1820-1881) was a famous Belgian violinist and composer; my small collection of his works includes a 3-CD set of his Violin Concertos.
The Vieuxtemps Guarneri Violin
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Thought to be the most expensive violin in the world, this instrument earned its name via a previous owner, Belgian musician Henri Vieuxtemps. Later Yehudi Menuhin, Pinchas Zukerman and others took turns with the strings.
Constructed by Italian instrument creator Guiseppi Guarneri circa 1741, the violin was in mint condition when it sold in 2014, even after almost 300 years of use. Purchased by an anonymous buyer, he or she loaned it to American concert violinist, Anne Akiko Meyers (pictured), to play for life.
I find it very refreshing to learn that the buyer didn't purchase the violin to lock it away in a vault, never to be seen again, but made it available for its intended purpose, to be played as is was meant to be.
The idea of creating a quartet of stringed instruments, the Ellen M. Egger Quartet, was born from a conversation with Fritz Maytag and is a working memorial to Fritz's sister Ellen Egger, one of four siblings and and an accomplished musician and teacher. The four instruments are loaned individually to promising students in far-flung places for an indefinite period, and then are reassembled once a year for a concert in San Francisco. Memorable performances have taken place at the California Palace of the Legion of Honor with such distinguished quartets as the Angeles Quartet, the Pro Arte Quartet, the Lafayette Quartet, the Pacifica Quartet and the Turtle Island Quartet. For several years, it has been the musicians of the Alexander String Quartet who have reunited the two violins, viola and cello (shown in the photo below) in performances, and in their 2009 recording of the complete Beethoven Quartet Cycle. (Source)
Recording a Beethoven cycle puts a tremendous strain on the physical instrumental resource, the fiddles and bows. In this case, playing this extraordinary set of fiddles by Francis Kuttner made the process so much easier. Though the instruments were not built to 'match' sound, per se, they are all of the same two woods from the same two trees, aged exactly the same and able to resonate in a manner quite unlike almost any combination of instruments we could imagine playing on. As we went from work to work, the use of these gorgeous instruments yielded a consistent and ever growing spectrum of color and depth which I can still feel in my bones as I gradually listen to the finished cycle. — Sandy Wilson, cello, Alexander String Quartet (Source)